Parts of the Porta02
clockwise to 
MIC
 for any channel which
When the 
PHONES MONO
 switch is
is recording a microphone.
pressed, these controls will have no effect
on the output from the 
PHONES
 jack.
Instruments such as electric guitars pro 
duce a signal which is between 
MIC
 and
[13]
REC FUNCTION switches 
LINE
 levels and the 
TRIM
 control should
(1 and 2)
therefore be somewhere between fully
These switches control where the signals
clockwise and fully counter clockwise.
coming into the 
MIC/LINE
 jacks will be
See 3.3,  Setting the level  for full details
recorded. For both switches 1 and 2, the
of how to adjust the 
TRIM
 controls for dif 
center position is marked as 
SAFE
. When
ferent input sources.
a switch is in this position, no signal will
be recorded on tape. However, you can
[9]
POWER indicator
still listen to the signals coming into the
This yellow light is lit when the Porta02
MIC/LINE
 jacks and view the levels on the
is connected to the power supply and
meters.
switched on.
When set to a number (
1
 or 
3
 for channel
[10]
Tape counter and reset 
1, or 
2
 or 
4
 for channel 2), the signals
button
input to the channel will be recorded on
The tape counter allows you to note dif 
the track whose number has been set on
ferent parts of the tape and locate to
the switch. This is called  assigning  or
them. Press the reset button to reset the
 routing  channels to tracks.
counter to  000  at any time (we suggest
[14]
Channel meters (1 and 2)
that you only do this at the beginning of a
Each channel has a set of four LED indi 
recording).
cators which show the level of the signals
[11]
OUTPUT LEVEL controls
sent to the 
LINE OUT L
 and 
R
 jacks.
Exactly what is metered depends on the
These controls change the levels of the
REC FUNCTION
 switch settings, but gen 
four tape tracks in the 
LINE OUT
 and
erally, they display the signals at the 
MIC/
PHONES
 outputs. When one of these con 
LINE IN
 jacks, and when the input chan 
trols is turned fully counter clockwise,
nels are set to 
SAFE
, the meters show the
the tape track corresponding to that con 
off tape signals, whose levels and pan
trol will not be heard in the 
LINE OUT
 and
positions are set using the 
OUTPUT
PHONES
 outputs.
LEVEL
 and 
PAN
 controls. 
[12]
OUTPUT PAN controls
The best level for any input signal is
These controls change the position of the
when an averagely loud part of the signal
four tape tracks in the stereo 
LINE OUT
lights the red 
0
 indicator, and the 
+6
 indi 
and 
PHONES
 outputs. When one of these
cator (also red) is only lit by the loudest
controls is turned fully counter clock 
parts of the signal. See 3.3,  Setting the
wise, the sound of the corresponding tape
level  for details of how this should be set
track will appear to come from the left,
up.
and when turned fully clockwise, it will
appear to come from the right. When in
[15]
Channel faders (1 and 2)
the center position, the output will appear
These faders are used to adjust the level
equally from both the left and right. 
of the signals coming into the 
MIC/LINE
11






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